SUMMER-PROOF SOUP

There are few problems in life that can’t be solved by soup. 

Unfortunately, this doesn't apply to the weather.  This week alone, we’ve been hit by rain, gales, hail and glorious sunshine.  It’s had a knock-on effect on our house build, but on the plus side I’ve found a soup recipe that can adapt to anything the weather throws at us.  It’s fantastic hot with freshly made Breadline Bread, but cool and refreshing chilled.  Just as well really.  

INGREDIENTS

1-2 tablespoons of olive oil

2 garlic cloves, chopped finely

1 medium onion, chopped

3 red peppers

1 yellow pepper

750ml vegetable stock, made with 3 teaspoons Marigold Bouillon

1 tablespoon plain flour

freshly ground black pepper

METHOD

1. Preheat the grill to a medium/high heat. 

2. Halve the peppers and place on a foil lined grill pan, skin side up.  Grill until the skins have blistered and blackened.

3. Put the peppers aside to cool.

4. Heat the olive oil in a heavy bottomed pan, and fry the garlic and onion until golden and slightly transparent.

5. Add 150 ml of the stock and bring to the boil.  Reduce the heat and simmer for approximately five minutes until the stock has reduced in volume. 

6. Sprinkle the flour over the onion mixture and gradually add the remaining stock, stirring all the time.

7. Peel the skins from the cooled peppers and discard.  Chop the pepper flesh into 1-2cm chunks and bring to the boil.  Cover and reduce to a simmer for a further five minutes. 

8. Leave to cool slightly and puree with a hand blender. 

9. Serve chilled from the fridge in the unlikely event of sunshine, or hot with crusty bread.  

GONE GIRL - GILLIAN FLYNN

The very first paragraph of Gillian Flynn’s Gone Girl is a shock.  “When I think of my wife, I always think of her head”, says Nick Dunne, “…Like a shiny, hard corn kernel or a riverbed fossil.  She had what the Victorians would call a finely shaped head.  You could imagine the skull quite easily.  I’d know her head anywhere.  And what’s inside it.”

Nick is speaking on the day of his fifth wedding anniversary.  His beautiful wife Amy has gone missing, and it’s quickly clear that their marriage has been less than perfect.  “What are you thinking, Amy?” he wonders.  “How are you feeling?... What have we done to each other?  What will we do?”

Gone Girl unravels the story behind Amy’s disappearance, setting out events through the alternating perspectives of the unhappy couple.  Is Nick an innocent husband caught up in events beyond his control, or are his disposable cell phone and repeated lies to the police hiding a secret?  Do Amy’s detailed diary entries offer any clues to what’s happened or is the truth somewhat more complicated?  And crucially, can anyone ever really claim to know the person they’re married to?

Flynn’s novel is a tightly plotted and multi-layered psychological thriller, and the stakes are raised with every new revelation.  Unexpectedly, Nick and Amy’s own versions of events do not exonerate them.  Rather, each shift of focus breeds suspicion and self-incrimination as they independently chart the disintegration of their marriage.  Rarely have I ever spent time with characters I dislike quite so much, yet I found it impossible to step away from them. 

Gone Girl manipulates the reader from start to finish.  Each development casts previous understanding in a new light until the possible interpretations of the story seem limitless.  Who – if anyone – is telling the truth?

This novel is disturbing, brilliant and unforgettable, and the way Flynn expertly plays her readers sits perfectly with the plot.  Like many though, I had difficulties with the ending.  It’s not wrong, it’s not unsatisfying, it’s just… sudden.  There’s been speculation that this is because a sequel is planned, although Flynn denies it.  If true, that’s a relief.  Gone Girl is so compelling that it would be hard not to read it, and there are very many things I would rather do than spend more time in the company of Nick and Amy Dunne.  Chilling.